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- Originaltitel : The Day After Tomorrow
- Filmtitel in Ihrem Land : The Day After Tomorrow
- Jahr der Film : 2004
- Genres des Films : Action, Abenteuer, Science Fiction, Thriller,
- Status-Film : Released
- Veröffentlichungsdatum : 2004-05-26
- Die Unternehmen der Film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
- Länder Film : United States of America,
- Sprache des Films : English, 日本語, Français, العربية, Español,
- Durasi Of film : 124 Min
- Stimme durchschnittlich : 6.2
- Youtube ID des Films : Ze8Gshk53Y8
- Übersetzung von Film : TH,ID,FR,SV,DE,RU,TR,FI,ZH,CS,PT,HU,PL,NO,SR,HE,EL,UK,KO,PT,CA,RO,EN,IT,NL,DA,BG,JA,FR,ES,
- Filmbesetzung :Austin Nichols (J.D.), Jake Gyllenhaal (Sam Hall), Russell Yuen (Hideki, Vitali Makarov (Yuri, Christian Tessier (Aaron), Arjay Smith (Brian Parks), Dennis Quaid (Jack Hall), Carl Alacchi (Venezuelan Delegate), Tamlyn Tomita (Janet Tokada), Christopher Britton (Vorsteen), Russian Astronaut), Glenn Plummer (Luther), Dash Mihok (Jason Evans), Kenneth Welsh (Vice President Becker), Nassim Sharara (Saudi Delegate), Kenneth Moskow (Bob), Sela Ward (Dr. Lucy Hall), Richard Zeman (Flight Director), Nestor Serrano (Gomez), Mimi Kuzyk (Secretary of State), John Maclaren (Veteran Scientist), Perry King (President Blake), Adrian Lester (Simon), Japanese Astronaut), Michel 'Gish' Abou-Samah (Saudi Translator), Emmy Rossum (Laura Chapman), Sasha Roiz (Parker), Ian Holm (Terry Rapson), Jay O. Sanders (Frank Harris)
0319262
The Day After Tomorrow ist die rechte film produziert von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, das kommt mit a Beschreibung des Films "Lange prognostiziert, setzen sie plötzlich innerhalb kürzester Zeit weltweit ein, gewaltige Naturereignisse, die eine neue Eiszeit einläuten: Hagelstürme in Tokio, Schneefälle in Indien, Tornados über Los Angeles. Endlich reagiert auch die Regierung und evakuiert alle US-Bürger der südlichen Staaten nach Mexiko, während man mangels Zeit alle anderen dem sicheren Kältetod überlässt. Einzig Klimaforscher Jack Hall kämpft sich durch Blitzeis und Schnee nach Norden, denn sein Sohn sitzt in der New Yorker Bibliothek fest.". Der Film wurde mit hervorragenden grafischen Qualität hergestellt, beste Ohr Platzen Klangqualität und am besten mit Schauspielern.
Sie sind im Moment beobachten : The Day After Tomorrow von Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, in beste Video-Format und natürlich, wenn Bedarf freigegeben in Ihr Land. Ihre Favoriten sofort movie, große Auswahl drücken einer Schalter! und mit einem uneingeschränkt Maß Bandbreite und Inhalte zu streamen, zu beobachten was Sie wünschen, wenn Sie wollen,!
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Dialogue Editor : James Matheny, Executive Producer : Stephanie Germain, Visual Effects Producer : Raoul Bolognini, Third Assistant Director : Paul Drouin, Roto Supervisor : Stephanie Taubert, Production Illustrator : Michael Meier, Rigging Gaffer : Gilles Fortier, Visual Effects Supervisor : Greg Strause, Costume Coordinator : Lyse Pomerleau, Stand In : Martin Brisebois, Art Department Assistant : Una Martin, Music Editor : Bob Beher, Original Music Composer : Harald Kloser, Rigging Grip : Richard Complaisance, Software Engineer : Chamberlain Fong, Hairstylist : Kathryn Powell, Associate Producer : Kim H. Winther, Systems Administrators & Support : Joe Ardent, Visual Effects Supervisor : Karen E. Goulekas, Set Costumer : Arlynn Abseck, Art Direction : Martin Gendron, Camera Operator : Eric Goethals, Visual Effects Supervisor : Chris Watts, Makeup Effects : Adrien Morot, Lighting Artist : David B. Menkes, Editor : David Brenner, Set Medic : Jean Marchand, Storyboard : Timothy Burgard, Costume Design : Renée April, 3D Animator : Jeremy F. Butler, Associate Producer : Lawrence Inglee, Sculptor : Lucie Fournier, Production Accountant : Manon Lapointe, Carpenter : Jane Kilkenny, Makeup Artist : Elisabeth Fry, I/O Supervisor : Ryan Beadle, Rigging Gaffer : Frank Dorowsky, Visual Effects Supervisor : Remo Balcells, Local Casting : Cate Praggastis, Executive In Charge Of Production : Vanessa R. Jordan, Makeup Effects : George Tucci, Casting Associate : Scott David, Author : Jeffrey Nachmanoff, Sound Recordist : Jon S. Trebilcock, Utility Stunts : Nick Brandon, Location Manager : Kenneth E. Fix, Original Music Composer : Thomas Wanker, Set Designer : Stephanie Gilliam, Utility Sound : Schavaria Reeves, Second Unit Cinematographer : Tom Yatsko, Helicopter Camera : Steve Hertler, Casting : Andrea Kenyon, Director : Roland Emmerich, Camera Loader : Charlie Newberry, Music Editor : Emanuele Arnone, Transportation Coordinator : Javier Gunther, Video Assist Operator : Julie Garceau, Director of Photography : Ueli Steiger, Sound Mixer : David O. Daniel, Construction Coordinator : Michel Brochu, Unit Manager : Paul Boutin, Visual Effects Supervisor : Conny Fauser, Construction Coordinator : Alain Brochu, CG Supervisor : David Prescott, Chief Lighting Technician : Jean Courteau, Assistant Art Director : Camille Parent, Animation Supervisor : Danny Gordon Taylor, Art Direction : Réal Proulx, Sound Designer : Harry Cohen, CG Supervisor : Dagan Potter, Visual Effects Producer : Michael Meagher, Visual Effects Producer : Petra Holtorf, Sculptor : Andrew Semple, Producer : Roland Emmerich, Set Designer : Caroline Alder, Supervising Sound Editor : Larry Kemp, Assistant Property Master : Eric Bardin, Steadicam Operator : Francois Archambault, Casting : Randi Wells, Still Photographer : Kerry Hayes, Technical Supervisor : Irfan Celik, Techno Crane Operator : Richard Boucher, Assistant Production Coordinator : Guylaine Boucher, Sound Designer : Ann Scibelli, Camera Operator : Georgia Packard, Visual Effects Coordinator : Erica Headley, Craft Service : Chris Winn, Location Manager : Lily Flaschner, First Assistant Camera : Michel Bernier, Art Direction : Gerald Sullivan, Steadicam Operator : Gary L. Camp, Production Coordinator : Danielle Boucher, Color Timer : Michael Eaves, Construction Foreman : Eric Lafrance, Creature Technical Director : Vijay Myneni, Set Designer : Frédéric Amblard, Construction Coordinator : Rejean Brochu, Visual Effects Producer : Todd Isroelit, Sound Engineer : John Bires, Executive Visual Effects Producer : Marc Sadeghi, Key Makeup Artist : Kathryn Casault, CG Supervisor : Hans Uhlig, Makeup Effects : Sylvania Yau, Set Designer : Alex Touikan, Visual Effects Art Director : Alexander Laurant, Camera Operator : Peter Hutchison, Transportation Captain : John Bober, Negative Cutter : Gary Burritt, CG Supervisor : Sean Andrew Faden, Stunts : Marcello Bezina, Costume Supervisor : Robert Q. Mathews, Digital Compositors : Sean Apple, CG Supervisor : Andrew Waisler, Art Direction : Michele Laliberte, Set Designer : Karl J. Martin, Line Producer : Tavin Marin Titus, Visual Effects Supervisor : Richard Britton, Co-Producer : Thomas M. Hammel, Modeling : Yoshiya Yamada, Key Hair Stylist : Janis Clark, Foley : Glenn T. Morgan, Painter : Gloria Ciraolo, Digital Producer : Andra Bard, Scenic Artist : Donald Beaulieu, Pilot : Al Cerullo, Construction Coordinator : Bruce Di Valerio, Digital Effects Supervisor : Bryan Grill, Stunt Coordinator : Charlie Brewer, First Assistant Editor : Robert Berman, Casting : April Webster, Transportation Coordinator : Daniel Matthews, Sound Recordist : Dennis Rogers, Leadman : David M. Milstien, Visual Effects Supervisor : Rocco Passionino, Set Dresser : Louis Dandonneau, Visual Effects : Michael Leung, 3D Supervisor : Rina Strause, Visual Effects : Diane Macke, 3D Artist : Zack Judson, Art Department Coordinator : Nancy A. King, Gaffer : Logan Leabo, Art Direction : Tom Reta, Sound Designer : Alan Rankin, First Assistant Sound Editor : Victor Ray Ennis, Makeup Effects : C.J. Goldman, First Assistant Director : Kim H. Winther, Special Effects Supervisor : Louis Craig, Propmaker : Patrice Jacques, Costume Supervisor : Kenn Smiley, Hairstylist : Sandy DeBlasio, Makeup Artist : Sharon Ilson, Visual Effects Editor : Nicolas Anastassiou, Camera Operator : Gary L. Camp, Camera Operator : Bill O'Drobinak, Visual Effects Producer : Mike Chambers, Visual Effects Supervisor : Greg Anderson, Property Master : Claire Alary, Production Manager : Daniel Auclair, Musician : Maria Newman, Supervising Art Director : Claude Paré, Camera Operator : Francois Archambault, Script Supervisor : Kim Berner, Visual Effects Producer : Jody Echegaray, Script Supervisor : Sophie Boyer, Producer : Mark Gordon, Hairstylist : Réjean Forget, Driver : Chris Haynes, Orchestrator : Frank Bennett, Executive Producer : Ute Emmerich, Camera Technician : Steven J. Winslow, ADR & Dubbing : Derek Casari, Special Effects : Neil Corbould, Author : Roland Emmerich, Sound Re-Recording Mixer : Doug Hemphill, Key Costumer : Valerie T. O'Brien, Sound Recordist : Chris Walmer, Set Designer : Hugo Santiago, Transportation Co-Captain : Spiro Tsovras, Pre-Visualization Supervisor : Daniel Fort, Lighting Technician : Stéphane Byl, Location Manager : Céline Daignault, Visual Effects Supervisor : Jerry Spivack, Casting Assistant : Bryan Riley, Lighting Supervisor : Chris Wells, Dialogue Editor : Daniel S. Irwin, Set Decoration : Victor J. Zolfo, Set Decoration Buyer : Stacy Weddington, Stunt Coordinator : Branko Racki, Unit Publicist : Joe Everett, Set Decoration : Paul Hotte, Key Grip : Marc Andrus, Production Design : Barry Chusid, Property Master : Denis Hamel, Unit Production Manager : Joe Dishner, Visual Effects : Kristen Branan, Digital Intermediate : Lorene Simpson, Loader : Amelie Duceppe, Best Boy Electric : Edison Jackson, Supervising Sound Editor : Mark P. Stoeckinger, Set Production Assistant : Mariana Acuña Acosta, Sound Effects Editor : Michael Kamper, Second Assistant Director : Erik Ajduk, Grip : Joost Clerinx, Visual Effects Supervisor : Colin Strause, Visual Effects Producer : Casey Conroy, Still Photographer : Takashi Seida, Set Designer : Vincent Gingras-Liberali, 24 Frame Playback : Marie-Pierre Tétreault, Finance : Linda Strause, Camera Operator : Alfonso Maiorana, Boom Operator : Timothy P. Salmon, First Assistant Editor : Quincy Z. Gunderson, Visual Effects Supervisor : Ian Hunter, Sequence Leads : Jason Iversen, Electrician : Paul Postal, Post Production Supervisor : Jeffrey Harlacker, ADR Editor : Kerry Dean Williams, Matchmove Supervisor : Alia Agha, Sound Designer : Randy Kelley, Post Production Assistant : Jeff Schweikart, Production Sound Mixer : Douglas J. Schulman, Second Unit Cinematographer : Anna Foerster, Conductor : Blake Neely, Sound Recordist : Tim Gomillion, Executive Producer : Kelly Van Horn, Visual Effects Editor : Michael Cavanaugh, Dolly Grip : Alain Masse, Set Designer : Steve Cooper
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